INTRODUCTION PART II
Madonna released the song “Love Sensation” on June 6, 2026. I put the song on repeat and headed out for my lap around the lake. This was during the last days of my Judgement year. When I pulled up to the sacred tree, I paused and snapped the following photograph: the Sun on the left and the portal on my right.
This song brought tears to my eyes a couple of times during this ride. Everything, including the weather, the sunlight, the shadows across the lake, and the vibes from this song, lifted my spirit so high. I definitely felt the love sensation with all my being during the 30-minute bike ride. If I thought about it too much, the song felt like an invitation. The lyrics, “Baby, come and get with me,” felt like a green light to finally reach out to Madonna about my story, which brought everything full circle from the 2005 song “Get Together.”
There’s Nothing That We Cannot Do!
My suspicion was confirmed later in the day when she performed Get Together right after Love Sensation during the amazing Grindr Times Square show. By the way, Madonna looked like she was having a blast.
Confessions II – The Film premiered at 11:00 AM EST on June 8, 2026.
REVELATION ON THE DANCE FLOOR
First of all, Confessions II – The Film was just over 13 minutes, which complemented the themes mentioned in the Judgement chapter. The numbers 1, 2, and 3 appeared in the lower left-hand corner at the one-minute mark of “I Feel So Free” when she says “Safety In Numbers,” just as rogue government-controlled surveillance fembots bust into her apartment, making her a target. Was this a secret message for members of the LGBTQ+ community to travel in numbers?
The visual for Good For The Soul felt like a message about the Divine Feminine, getting away from technology, connecting with nature, and the stars. The lasers may have represented the sparks of light in all of us, as the dancers shared their light. I was a huge fan of this message.
During “One Step Away,” Madonna broke a glass of water as she sang “one step away from your freedom,” reiterating that freedom was fragile and we are always one step away from losing it: a wild, dangerous ride of avoiding roadblocks ensued. At one point, a red wig was thrown out of a window. The phrase “Wig Out” came to mind.
The phrase “your life is on the table” means that your survival, freedom, or well-being is at serious risk or stake in a high-stakes situation. It’s always darkest before the dawn. A crash may be coming, but love will save us, represented by the lipstick stain on the deployed airbag.
Bring Your Love, in this instance, felt like a message about the importance of free speech and having the freedom to express ourselves openly without any government control, intervention, or oversight. Drones?
As mentioned in Project 2025, our government wanted to make it so that only someone with an unblemished history of heterosexuality would thrive going forward. Everyone else was disposable. My story did not have an unblemished history of heterosexuality, so I was probably at risk.
Danceteria – Everyone is a work of art and should be celebrated. Art and creativity require freedom of movement and freedom of expression.
Read My Lips for me could have been interpreted in several ways. Since she was looking at her own reflection in the mirror, maybe the song was about ego, always lying and trying to play the leading role or steal the show. I wasn’t sure, but I loved what Feid was wearing.
The fembots at the end of the film possibly represented A.I. or a rogue government, enforcing all the control and restrictions. In this segment, they were doing the very things they attempted to stop others from doing. And A.I. was stealing everyone’s art, soul expression, and redirecting the Light.
Knowing Madonna, however, the film and the songs likely had several meanings that she could play off of if someone tried to pigeonhole her.
And then there was the album cover.
I realized that all the possible connections between Madonna and me mentioned throughout my story, such as Get Together, 1, 2, and 3, could have been completely delusional. Even so, I loved the mystery.
My biggest mistake and distraction was attempting to connect with Madonna personally while writing this story. It was tricky business. I was always left feeling a bit paranoid, and suffered temporary bouts of insanity. I explained it away by saying it was all part of the challenge, but in reality it was hard for me to connect with a person that I had never met or had the opportunity to know on a deep, emotional level. The superficiality left me in a constant state of confusion.
In the beginning, I wanted nothing more than to win Madonna’s affection, but by the end of my Judgement year that changed, and my story took on deeper purpose with a different meaning. I had no idea what lay ahead; I chose to leave everything up to fate.
LOVE!
When June 30 rolled around, I had 21 days remaining in my Judgement year and three days until Madonna released her new album, Confessions II. With that in mind, I was prompted to revisit a couple of pages that I wrote in 2020 about my 2006 experiences in Fresno, California, which went all the way back to Confessions On A Dance Floor.